This is an ode to the shuffle. How better to get a good insight in your digitized album collection than by a classic shuffle? Finally discover the albums you never got into, finally throw the ones away you will never get into and worship those classics that never grow old again. The Shuffle of this week:
1. Muse – Blackout (Absolution, 2003) [singlepic id=233 w=80 h=50 float=left]
Highly orchestrated and classical influenced song from Muse’ third album. No clue what happened to this band after 2006, when I lost them after a disappointing fourth album.
2. David Bowie – Sweet Thing (reprise) (Diamond Dogs, 1974) [singlepic id=231 w=80 h=50 float=left]
Another album that mixes different styles of music, this eight one from David Bowie. Although it’s already the third album after Ziggy Stardust (1972), preceded by a cover album and Stardust’s transformation to Aladdin Sane (1973), the remains of Ziggy’s sound are still audible here. What definitely characterized the album is the somehow distorted guitar sound (with Bowie himself replacing Mick Ronson on guitar) and (in this song) the start of using cut-up lyrics, something Thom Yorke would repeat later on Radiohead’s Kid A.
3. Pink Floyd – Jugband Blues (A Saucerful of Secets, 1968) [singlepic id=95 w=80 h=50 float=left]
One of my favorite Pink Floyd albums, beautifully demonstrating the evolution the band had made between its good debut album and the outstanding Atom Heart Mother (1970). This evolution was marked by the fact that this key album was the only one featuring all five band members, as Gilmour was replacing Barett during the recordings. This closing song was written and sung by Barett and (therefore not surprisingly) comes very close to the debut album’s sound.
4. The Velvet Underground – After Hours (The Velvet Underground, 1969) [singlepic id=235 w=80 h=50 float=left]
Not Meg White on one of White Stripes’ albums, but another personal favorite album from the late sixties. This closing track was, just like all other songs on the album, written by Lou Reed while Maureen Tucker takes the lead vocals. A very surprising album considering its two predecessors and worth a complete review over here.
5. Beck – Ramshackle (Odelay, 1996) [singlepic id=229 w=80 h=50 float=left]
Another closing song, from an album you’re almost obliged to appreciate, although it didn’t really convince me yet. This song however is a true highlight, just like the few other songs that originated from the acoustic sessions that were originally meant to constitute the album. Lay down and enjoy.
6. The Smiths – A Rush and a Push and the Land Is Ours (Strangeways, Here We Come, 1987) [singlepic id=234 w=80 h=50 float=left]
Time for an opening song then, from Marr and Morrisey’s last collaboration. Traditionally the album cover is featuring a classic movie star, this time being Richard Davalos. One of The Smiths’ best songs.
7. The Yardbirds – Hot House of Omagarashid (Roger The Engineer, 1966) [singlepic id=236 w=80 h=50 float=left]
Very strange track (initially I thought that it was Black Monk Time again) from an album that was camouflaged by a serious layer of dust for a long time. The album stems for the period after Jeff Beck replaced Clapton on guitar and incited the band to start experimenting with different styles, resulting in some Gregorian chants on this song.
8. Brian Eno – St. Elmo’s Fire (Another Green World, 1975) [singlepic id=230 w=80 h=50 float=left]
Is this XTC with one of their better eighties records? No, it turns out to be technical pioneer Brian Eno (announcing something called ‘hypertext’ as one of the future’s defining phenomena before anyone had ever heard about the internet) with a wonderful song from his 1975 classic.
9. Electric Light Orchestra – Wild West Hero (Out of the Blue, 1977) [singlepic id=182 w=80 h=50 float=left]
And another closing song, from the most colorful album of 1977. The vocals are outstanding on this one, and the orchestration is just a little less predictable than elsewhere on the album.
10. Janis Joplin – Half Moon (Pearl, 1971) [singlepic id=232 w=80 h=50 float=left]
The Acid Queens’ most polished and therefore most successful album, with the Full Tilt Boogie Band. Recently saw her performance at Monterey again; such an unbelievable voice. Till next time.