Shuffle of the week #40

1. Swan Lake – Pleasure Vessels (Beast Moans, 2006) [singlepic id=115 w=80 h=50 float=left]

Debut album from so-called Canadian supergroup (Mercer, Bejar and Krug). Krug provided the album title by describing its sound as ‘a boar dying in a tar pit’, which is also a way of saying that it’s not quite as good as the music they produced earlier with their respective bands. They released a second album in 2009, but their debut didn’t convince me to obtain that one.

2. The Beatles – Dr. Robert (Revolver, 1966) [singlepic id=339 w=80 h=50 float=left]

Many words were written about the true identity of Doctor Robert, who according to Sir Paul ‘kept New York high’. Apparently, it was not at all John Lennon, Robert MacPhail or Bob Dylan, but dr. Robert Freymann, the New York doc who provided the wealthy ‘Upper East Siders’ with vitamin shots including amphetamins.

3. Pearl Jam – Love Boat Captain (Riot Act, 2002) [singlepic id=338 w=80 h=50 float=left]

From the seventh Pearl Jam, that was released after a one year sabbatical (following the death of 9 fans at the Roskilde festival). Keyboards player Kenneth Gaspar made his entrance on this album, and most notably on this track. Adding a keyboards player was part of Pearl Jam being open to new things, which apparently also included having an opinion about things, instead of concentrating on the writing of exceedingly strong songs.

4. Paul Simon – Homeless (Graceland, 1986) [singlepic id=20 w=80 h=50 float=left]

One of those numerous gems on this absolute classic. The track is sung by Simon together with Ladysmith Black Mambazo, whose singer Joseph Shabalala co-wrote the song with Simon. Mister Shabalala came up with the music, which he lent from a traditional Zulu wedding tune, and the Zulu lyrics, while Mister Simon delivered the English lyrics.

5. The Decemberists – Cocoon (Castaways and Cutouts, 2002) [singlepic id=156 w=80 h=50 float=left]

Another one from 2002, this debut album from Portland’s finest band, entirely written by singer Colin Meloy. It was a pleasant first acquaintance with the band for me, and meanwhile I’ve become fan of later work, for example Picaresque that was released three years later. Besides Meloy’s affairs with the band, he also proceeds with a solo career by covering songs from his musical heroes like Morrissey and Sam Cooke.

6. Fistful of Mercy – In Vain or True (As I Call You Down, 2010) [singlepic id=337 w=80 h=50 float=left]

More music from the 21st century, this opening song from Fistful of Mercy’s only album. Another example of a so-called super group, consisting of Joseph Arthur, Dhani Harrison, Ben Harper and… Jim Keltner on drums! Keltner earlier played on solo-albums from John Lennon, Ringo Starr as well as Harrison’s father, and would even provide the drums on both Traveling Wilburys albums as Buster Sidebury. This is the most noteworthy fact about this album, that above all contains lots of embarrassing failures.

7. Animal Collective – No More Running (Merriweather Post Pavillion, 2009) [singlepic id=118 w=80 h=50 float=left]

From the same era, with a gem from one its greatest pop albums, created after the temporary departure of guitarist Deakin. Not that he’s a bad guitar player, but it obliged the group to renew their sound once more. An average band would perhaps replace the man, but inspired by Panda Bear’s genius’ Person Pitch, Animal Collective chose to replace the instrument.

8. Phish – Golgi Apparatus (Junta, 1989) [singlepic id=39 w=80 h=50 float=left]

Debut album from this obstinate band, on which absurdity is permanently lurking, musically as well as lyrically.

9. Bob Dylan – Just Like Tom Thumb’s Blues (Live 1966: The ‘Royal Albert Hall’ Concert, 1998) [singlepic id=335 w=80 h=50 float=left]

Great recording from one of rock’s most notorious concerts, at the Manchester Free Trade Hall during Dylan’s 1966 world tour (falsely attributed to the Royal Albert Hall). This classic from Highway 61 Revisited is to be found on side 2, with Dylan playing electrically together with The Hawks.

10. David Byrne & St. Vincent – Ice Age (Love This Giant, 2012) [singlepic id=336 w=80 h=50 float=left]

Closing in style with more recent work, although there’s clearly a veteran involved this time. Love This Giant was a collaboration between former Talking Heads guru David Byrne with art rock woman St. Vincent (Oklahoma). Most hit sensitive song on the album.

“In Jersey anything’s legal, as long as you don’t get caught”: Traveling Wilburys Vol. 1 (Traveling Wilburys)

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Year: 1988

Genre: Rock

Preceded by: –

Followed by: Traveling Wilburys Vol. 3 (1990)

Related to: not available yet

 

 

Time for a musical intermezzo this week, as we jump right into the eighties. However, the album of the week has nothing to do with the typical sound of that century. Instead, we’re talking about another supergroup here: the Traveling Wilburys, a band full of stars from the sixties and seventies, who released an essential album for your record collection in 1988: Vol. 1.

The whole project was initially set up by former Beatle George Harrison. He returned to making music again in 1986, after being out of  business for a while. He asked Jeff Lynne to co-produce his album Cloud Nine, which became Harrison’s great comeback. In need for a B-side for one it’s singles he contacted Lynne, who was also producing stuff for Roy Orbison at that time. They proposed to do a recording together with the three of them, but there was no studio available. Harrison contacted Bob Dylan, knowing Dylan had a home studio, but forgot to pick up his guitar at Tom Petty. Tom Petty came along and suddenly they were recording a song (‘Handle with Care’) with the five of them, supported by drummer Jim Keltner.

Those guys quickly realized this song was way too good for a B-side, and Harrison wanted to record another nine songs and release it as an official album. Their name would be the ‘Traveling Wilbury’s’, a concept of alternate identities Harrison was familiar with after releasing Sgt. Pepper’s with The Beatles. This time their real names wouldn’t even be on the album, replaced instead by pseudonyms like Lucky Wilbury (Bob Dylan) and Nelson Wilbury (George Harrison), all half-brothers of the fictional Charles Truscott Wilbury, Sr.

The album became a brilliant collection of cheerful songs, an excellent recipe against a heavy hangover. Of course the album started with the hit single ‘Handle with Care’, which immediately makes clear what happens if five musical geniuses gather in a studio: one of them notices a box labelled ‘Handle with Care’ and five hours later they’ve got a massive hit. The beauty of the song is the combination of Harrison’s and Lefty Wilbury’s (Roy Orbison) voices. What follows is Dylan’s ‘Dirty world’, sounding raspier than ever, and the fifties rock ‘n roll song ‘Rattled’. ‘Last Night’ is a song from Charlie T. Wilbury, Jr. (Tom Petty), but especially noteworthy is the bridge from Orbison.

But the real strength of the album is the second part in my opinion. Beginning with ‘Not Alone Anymore’, a song Otis Wilbury (Jeff Lynne) wrote especially for Orbison. His voice really sounds outstanding on this song, making it a real gem. ‘Congratulations’ is a weird mix of sad lyrics and joyful tunes, preceding the upbeat ‘Heading For The Light’ (Harrison), one of my personal favorites with it’s happy guitar intro and great sax work. The real masterpiece of the album however must be ‘Tweeter and The Monkey Man’. Dylan tells us a story like he did on ‘Hurricane’, with a bombastic chorus where the other guys join in. The song is also considered as an homage to Bruce Springsteen, as the lyrics include many Springsteen songs like ‘Thunder Road’, ‘Stolen Car’, ‘Mansion On The Hill’ and ‘Lion’s Den’ (with the latter being released after the Wilburys album), while the story is situated in New Jersey, Springsteen’s home state.

The album closes with Harrison’s ‘End of the Line’, telling us everybody will be all right in the end. It’s video became a tribute to Orbison, who died shortly after the release of the album because of a heart attack. This immediately meant the end of the original band, one of the reasons there never came a Wilburys Tour. The remaining four members recorded a follow-up album in 1990 (Traveling Wilburys Vol. 3), but it missed Orbison’s voice. Enjoy the party.

Top Tracks
1. Tweeter and the Monkey Man
2. Heading for the Light
3. Not Alone Anymore